{"id":520,"count":2,"description":"Alongside<\/span>\u00a0the collection of artworks realized by\u00a0<\/span>its<\/span>\u00a0workshop, the\u00a0Opificio\u00a0<\/span>also\u00a0conserves other artefacts<\/span>\u00a0commissioned by the grand dukes, similar in materials and\u00a0technique\u00a0to the\u00a0<\/span>commesso\u00a0or Florentine mosaic<\/span>. We are referring\u00a0<\/span>to<\/span>\u00a0painting on stone, which uses a stone slab as\u00a0<\/span>the<\/span>\u00a0support of an oil painting. The natural color of the stone\u00a0becomes part of the pictorial image.<\/span>\u00a0<\/span>\r\n\r\nIn this room\u00a0there\u00a0are\u00a0<\/span>several\u00a0<\/span>\u00a0<\/span>of\u00a0the<\/span>\u00a0paintings made in the first half of the seventeenth century, whose support\u00a0<\/span>is\u00a0the<\/span>\u00a0<\/span>Arno stone<\/span><\/i>, also known as\u00a0<\/span>pietra\u00a0paesina<\/span><\/i>\u00a0\u2013\u00a0<\/span>that means \u201clandscape stone\u201d<\/span>\u00a0-\u00a0typical of the\u00a0Valdarno\u00a0area, so-called\u00a0since\u00a0its structure recalls visions of rocky landscapes. Another stone used for\u00a0<\/span>this<\/span>\u00a0purpose was the\u00a0<\/span>lineato\u00a0d\u2019Arno<\/span><\/i>, whose greyish and bluish veining\u00a0is\u00a0<\/span>suitable and effective\u00a0in\u00a0\u00a0reproducing<\/span>\u00a0<\/span>waterscapes.<\/span>\u00a0<\/span>\r\n\r\nThe painter did not add any\u00a0colours\u00a0on the\u00a0<\/span>background\u00a0stone<\/span>\u00a0slabs,\u00a0<\/span>because, as\u00a0we can read in a 17<\/span>th<\/span>\u00a0century text, the panel was already \u201ccompleted with no\u00a0need to add anything else\u201d.\u00a0The artist exploited\u00a0the natural background\u00a0and\u00a0painted only\u00a0the\u00a0figures, such as\u00a0hermit\u00a0saints or\u00a0ships in\u00a0marine landscapes.<\/span>\u00a0<\/span>","link":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/","name":"SECTION VII. Painting on stone","slug":"section-vii-painting-on-stone","taxonomy":"sezioni-tematiche","parent":0,"meta":[],"acf":[],"yoast_head":"\nSECTION VII. Painting on stone Archivi - Opificio Pietre Dure<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SECTION VII. Painting on stone Archivi - Opificio Pietre Dure\" \/>\n<meta property=\"og:description\" content=\"Alongside\u00a0the collection of artworks realized by\u00a0its\u00a0workshop, the\u00a0Opificio\u00a0also\u00a0conserves other artefacts\u00a0commissioned by the grand dukes, similar in materials and\u00a0technique\u00a0to the\u00a0commesso\u00a0or Florentine mosaic. We are referring\u00a0to\u00a0painting on stone, which uses a stone slab as\u00a0the\u00a0support of an oil painting. The natural color of the stone\u00a0becomes part of the pictorial image.\u00a0 In this room\u00a0there\u00a0are\u00a0several\u00a0\u00a0of\u00a0the\u00a0paintings made in the first half of the seventeenth century, whose support\u00a0is\u00a0the\u00a0Arno stone, also known as\u00a0pietra\u00a0paesina\u00a0\u2013\u00a0that means \u201clandscape stone\u201d\u00a0–\u00a0typical of the\u00a0Valdarno\u00a0area, so-called\u00a0since\u00a0its structure recalls visions of rocky landscapes. Another stone used for\u00a0this\u00a0purpose was the\u00a0lineato\u00a0d\u2019Arno, whose greyish and bluish veining\u00a0is\u00a0suitable and effective\u00a0in\u00a0\u00a0reproducing\u00a0waterscapes.\u00a0 The painter did not add any\u00a0colours\u00a0on the\u00a0background\u00a0stone\u00a0slabs,\u00a0because, as\u00a0we can read in a 17th\u00a0century text, the panel was already \u201ccompleted with no\u00a0need to add anything else\u201d.\u00a0The artist exploited\u00a0the natural background\u00a0and\u00a0painted only\u00a0the\u00a0figures, such as\u00a0hermit\u00a0saints or\u00a0ships in\u00a0marine landscapes.\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/\" \/>\n<meta property=\"og:site_name\" content=\"Opificio Pietre Dure\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/\",\"url\":\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/\",\"name\":\"SECTION VII. 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Painting on stone Archivi - Opificio Pietre Dure","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/","og_locale":"en_US","og_type":"article","og_title":"SECTION VII. Painting on stone Archivi - Opificio Pietre Dure","og_description":"Alongside\u00a0the collection of artworks realized by\u00a0its\u00a0workshop, the\u00a0Opificio\u00a0also\u00a0conserves other artefacts\u00a0commissioned by the grand dukes, similar in materials and\u00a0technique\u00a0to the\u00a0commesso\u00a0or Florentine mosaic. We are referring\u00a0to\u00a0painting on stone, which uses a stone slab as\u00a0the\u00a0support of an oil painting. 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Another stone used for\u00a0this\u00a0purpose was the\u00a0lineato\u00a0d\u2019Arno, whose greyish and bluish veining\u00a0is\u00a0suitable and effective\u00a0in\u00a0\u00a0reproducing\u00a0waterscapes.\u00a0 The painter did not add any\u00a0colours\u00a0on the\u00a0background\u00a0stone\u00a0slabs,\u00a0because, as\u00a0we can read in a 17th\u00a0century text, the panel was already \u201ccompleted with no\u00a0need to add anything else\u201d.\u00a0The artist exploited\u00a0the natural background\u00a0and\u00a0painted only\u00a0the\u00a0figures, such as\u00a0hermit\u00a0saints or\u00a0ships in\u00a0marine landscapes.\u00a0","og_url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/","og_site_name":"Opificio Pietre Dure","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/","url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vii-painting-on-stone\/","name":"SECTION VII. 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