{"id":519,"count":5,"description":"In 1737, with\u00a0the death\u00a0<\/span>with no heirs<\/span>\u00a0of the\u00a0grand\u00a0duke\u00a0Giangastone\u00a0de\u2019 Medici,\u00a0the\u00a0<\/span>government<\/span>\u00a0of\u00a0Tuscany passed to\u00a0Francesco Stefano\u00a0<\/span>of Lorraine<\/span>\u00a0(1737-1765). Even though he permanently\u00a0resided\u00a0in Vienna,\u00a0he\u00a0had the chance to visit the workshop during a brief stay in Tuscany.<\/span>\u00a0<\/span>\r\n\r\nIn the early Lorraine period,<\/span>\u00a0the creations of the workshop continued the well-known\u00a0naturalistic repertoire of flowers and birds, just as during the\u00a0<\/span>later\u00a0Medici<\/span>\u00a0period.<\/span>\u00a0<\/span>\r\n\r\nA turning point in style\u00a0<\/span>occurred from 1748<\/span>, when the artistic direction was assigned to the French goldsmith Louis\u00a0Siries, founder of the dynasty of artists who held the guide of the workshop for four generations.\u00a0He decided to abandon \u201cthe ancient\u00a0tendency to represent\u00a0<\/span>grotesques and flowers\u00a0on a black background<\/span>\u201d,\u00a0to create\u00a0<\/span>pictures<\/span>\u00a0with\u00a0architectures\u00a0and figures\u00a0instead. After a century of\u00a0<\/span>predominance<\/span>\u00a0of flowered wreaths, multi-colored birds and fruity festoons,\u00a0<\/span>contemporary<\/span>\u00a0painting made its appearance\u00a0<\/span>in the semiprecious\u00a0stones\u00a0of\u00a0Florentine<\/span>\u00a0mosaics.<\/span>\u00a0<\/span>\r\n\r\nThe taste\u00a0<\/span>for\u00a0the pictorial genre of\u00a0landscapes\u00a0can be seen in naturalistic panels<\/span>\u00a0made after models by the Florentine painter Giuseppe Zocchi,\u00a0<\/span>collaborator of the workshop\u00a0from 1750 to 1767.<\/span>\u00a0<\/span>\u00a0<\/span>\r\n\r\nAt the end of the eighteenth century, the success of Neoclassicism led to the realization of\u00a0<\/span>ar<\/span>tworks with antique-style vases, musical instruments, shells and\u00a0<\/span>so\u00a0on: these<\/span>\u00a0motifs were suitable for the decoration of furniture, tabletops and small precious objects, abundantly produced under the French dominion, when the workshop was allowed to\u00a0accept orders not only\u00a0<\/span>from<\/span>\u00a0the court but\u00a0<\/span>also<\/span>\u00a0from\u00a0the\u00a0<\/span>cosmopolitan<\/span>\u00a0society\u00a0of Florence.<\/span>","link":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/","name":"SECTION VI. The Lorraine period","slug":"section-vi-the-lorraine-period","taxonomy":"sezioni-tematiche","parent":0,"meta":[],"acf":[],"yoast_head":"\nSECTION VI. The Lorraine period Archivi - Opificio Pietre Dure<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SECTION VI. The Lorraine period Archivi - Opificio Pietre Dure\" \/>\n<meta property=\"og:description\" content=\"In 1737, with\u00a0the death\u00a0with no heirs\u00a0of the\u00a0grand\u00a0duke\u00a0Giangastone\u00a0de\u2019 Medici,\u00a0the\u00a0government\u00a0of\u00a0Tuscany passed to\u00a0Francesco Stefano\u00a0of Lorraine\u00a0(1737-1765). Even though he permanently\u00a0resided\u00a0in Vienna,\u00a0he\u00a0had the chance to visit the workshop during a brief stay in Tuscany.\u00a0 In the early Lorraine period,\u00a0the creations of the workshop continued the well-known\u00a0naturalistic repertoire of flowers and birds, just as during the\u00a0later\u00a0Medici\u00a0period.\u00a0 A turning point in style\u00a0occurred from 1748, when the artistic direction was assigned to the French goldsmith Louis\u00a0Siries, founder of the dynasty of artists who held the guide of the workshop for four generations.\u00a0He decided to abandon \u201cthe ancient\u00a0tendency to represent\u00a0grotesques and flowers\u00a0on a black background\u201d,\u00a0to create\u00a0pictures\u00a0with\u00a0architectures\u00a0and figures\u00a0instead. After a century of\u00a0predominance\u00a0of flowered wreaths, multi-colored birds and fruity festoons,\u00a0contemporary\u00a0painting made its appearance\u00a0in the semiprecious\u00a0stones\u00a0of\u00a0Florentine\u00a0mosaics.\u00a0 The taste\u00a0for\u00a0the pictorial genre of\u00a0landscapes\u00a0can be seen in naturalistic panels\u00a0made after models by the Florentine painter Giuseppe Zocchi,\u00a0collaborator of the workshop\u00a0from 1750 to 1767.\u00a0\u00a0 At the end of the eighteenth century, the success of Neoclassicism led to the realization of\u00a0artworks with antique-style vases, musical instruments, shells and\u00a0so\u00a0on: these\u00a0motifs were suitable for the decoration of furniture, tabletops and small precious objects, abundantly produced under the French dominion, when the workshop was allowed to\u00a0accept orders not only\u00a0from\u00a0the court but\u00a0also\u00a0from\u00a0the\u00a0cosmopolitan\u00a0society\u00a0of Florence.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/\" \/>\n<meta property=\"og:site_name\" content=\"Opificio Pietre Dure\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/\",\"url\":\"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/\",\"name\":\"SECTION VI. 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The Lorraine period Archivi - Opificio Pietre Dure","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/","og_locale":"en_US","og_type":"article","og_title":"SECTION VI. The Lorraine period Archivi - Opificio Pietre Dure","og_description":"In 1737, with\u00a0the death\u00a0with no heirs\u00a0of the\u00a0grand\u00a0duke\u00a0Giangastone\u00a0de\u2019 Medici,\u00a0the\u00a0government\u00a0of\u00a0Tuscany passed to\u00a0Francesco Stefano\u00a0of Lorraine\u00a0(1737-1765). Even though he permanently\u00a0resided\u00a0in Vienna,\u00a0he\u00a0had the chance to visit the workshop during a brief stay in Tuscany.\u00a0 In the early Lorraine period,\u00a0the creations of the workshop continued the well-known\u00a0naturalistic repertoire of flowers and birds, just as during the\u00a0later\u00a0Medici\u00a0period.\u00a0 A turning point in style\u00a0occurred from 1748, when the artistic direction was assigned to the French goldsmith Louis\u00a0Siries, founder of the dynasty of artists who held the guide of the workshop for four generations.\u00a0He decided to abandon \u201cthe ancient\u00a0tendency to represent\u00a0grotesques and flowers\u00a0on a black background\u201d,\u00a0to create\u00a0pictures\u00a0with\u00a0architectures\u00a0and figures\u00a0instead. After a century of\u00a0predominance\u00a0of flowered wreaths, multi-colored birds and fruity festoons,\u00a0contemporary\u00a0painting made its appearance\u00a0in the semiprecious\u00a0stones\u00a0of\u00a0Florentine\u00a0mosaics.\u00a0 The taste\u00a0for\u00a0the pictorial genre of\u00a0landscapes\u00a0can be seen in naturalistic panels\u00a0made after models by the Florentine painter Giuseppe Zocchi,\u00a0collaborator of the workshop\u00a0from 1750 to 1767.\u00a0\u00a0 At the end of the eighteenth century, the success of Neoclassicism led to the realization of\u00a0artworks with antique-style vases, musical instruments, shells and\u00a0so\u00a0on: these\u00a0motifs were suitable for the decoration of furniture, tabletops and small precious objects, abundantly produced under the French dominion, when the workshop was allowed to\u00a0accept orders not only\u00a0from\u00a0the court but\u00a0also\u00a0from\u00a0the\u00a0cosmopolitan\u00a0society\u00a0of Florence.","og_url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/","og_site_name":"Opificio Pietre Dure","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/","url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/sezioni-tematiche\/section-vi-the-lorraine-period\/","name":"SECTION VI. The Lorraine period Archivi - Opificio Pietre Dure","isPartOf":{"@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#website"},"inLanguage":"en-US"},{"@type":"WebSite","@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#website","url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/","name":"Opificio Pietre Dure","description":"L'Opificio delle Pietre Dure","publisher":{"@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#organization","name":"Opificio Pietre Dure","url":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/opificiodellepietredure.cultura.gov.it\/wp-content\/uploads\/2022\/12\/opificio-delle-pietre-dure-logo-1.png","contentUrl":"https:\/\/opificiodellepietredure.cultura.gov.it\/wp-content\/uploads\/2022\/12\/opificio-delle-pietre-dure-logo-1.png","width":605,"height":204,"caption":"Opificio Pietre Dure"},"image":{"@id":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/wp-json\/wp\/v2\/sezioni-tematiche\/519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/wp-json\/wp\/v2\/sezioni-tematiche"}],"about":[{"href":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/wp-json\/wp\/v2\/taxonomies\/sezioni-tematiche"}],"wp:post_type":[{"href":"https:\/\/opificiodellepietredure.cultura.gov.it\/en\/wp-json\/wp\/v2\/opere?sezioni-tematiche=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}